EDMNinja

Tag: music review

  • Review: Kordova, Eynka, SIgum – “Coming On Strong” (Progressive House, Future Rave)

    Review: Kordova, Eynka, SIgum – “Coming On Strong” (Progressive House, Future Rave)

    Kordova, Eynka, and SIgum have come together for “Coming On Strong,” a track that merges the high-energy vibes of Progressive House with the intense, driving rhythms of Future Rave. Drawing inspiration from artists like Anyma and Argy, this collaboration is undeniably energetic, featuring a deep bassline, catchy vocal loops, and an overall sound that’s tailor-made for the dancefloor.

    The track opens with a strong bassline that immediately sets the tone, and from there, it builds with shimmering synths and percussion that keep the energy high. The repetitive male vocal—chanting “Coming On Strong” over and over—adds a hypnotic quality to the track, ensuring that it sticks with you long after it ends. This vocal loop, though simple, serves as the perfect foundation for the instrumental elements, which drive the song forward without ever feeling too overwhelming.

    The production quality here is top-notch, with each element working seamlessly to create a powerful, immersive atmosphere. The deep bass gives the track a sense of weight, while the sharp synths cut through the mix, offering moments of tension and release that make each section of the song feel like a journey. The rhythm section, built around punchy drums and percussive elements, fuels the track’s forward momentum and creates a sense of urgency that mirrors the song’s theme of strength and confidence.

    Lyrically, “Coming On Strong” keeps it simple. The repeated vocal hook serves as both a mantra and a statement of intent, embodying the track’s unrelenting energy. It’s not about storytelling or emotional depth but about building an anthemic feeling that’s perfect for festivals and large crowds. The message is clear: the track is coming at you with full force, and there’s no holding back.

    As expected from a Future Rave and Progressive House fusion, this track has found its place within the high-energy dance music world. It’s a song designed for peak-time play, whether in a live DJ set or at a major festival. Its infectious basslines and anthemic hooks are sure to energize any crowd, and it has already caught the attention of DJs who understand the power of a track that can control the energy of a room.

    While the song’s repetitive nature might not be for everyone, it works in the context of its genre. In this style of electronic music, simplicity is often key to creating the kind of anthem that festival-goers can chant along to while losing themselves in the beat. The repetitive vocal is more than just an earworm—it’s a rallying cry for listeners to embrace the energy and keep the momentum going.

    Overall, “Coming On Strong” is a well-crafted track that captures the essence of Progressive House and Future Rave while adding its own distinct flair. It’s bold, infectious, and undeniably energetic, making it a standout in the current dance music scene. For those who love tracks that deliver raw power and intensity, this collaboration from Kordova, Eynka, and SIgum is sure to leave a lasting impression.

  • Blasteraxx & Harris & Ford – “Dark Days”: A Euro Dance Anthem with Rave Energy

    Blasteraxx & Harris & Ford – “Dark Days”: A Euro Dance Anthem with Rave Energy

    Blasteraxx and Harris & Ford’s Dark Days is a thrilling journey through the world of big room rave and Euro dance vibes, brimming with energetic synths, thumping bass, and a catchy vocal hook that’ll have listeners chanting along in no time. This track blends the best of festival-ready, high-energy beats with the infectious nature of Euro dance, creating a fusion that will no doubt keep the crowd moving all night long.

    A Euro Dance Meets Big Room Rave Hybrid

    At its core, Dark Days channels the energy of the rave scene with a signature big room sound that is immediately recognizable. Big room house, known for its large, stadium-sized drops and pounding beats, has become synonymous with mainstage festivals, and Blasteraxx and Harris & Ford have embraced this sound to its full potential. The track doesn’t hold back, bringing forward an atmosphere that makes you want to throw your hands up and jump to the rhythm.

    However, Dark Days is not just about the big room sound. The track incorporates unmistakable elements of Euro dance – a genre that rose to prominence in the ’90s and ’00s with artists like Scooter, Darude, and the likes of DJ Sammy. This nostalgic sound is brought to life through the playful, almost childlike “nananananan” vocal chant that forms the core of the track. The simplicity of the lyrics, combined with the bouncy rhythm, adds a layer of fun and energy that is a hallmark of classic Euro dance music.

    The Hook: Catchy, Infectious, and Uplifting

    The standout feature of Dark Days is the incredibly catchy “nananananan” vocal chant. This vocal line, repetitive yet hypnotic, serves as the track’s main hook and is bound to get stuck in your head after a single listen. The vocals aren’t overly complex or heavy on meaning, but that’s part of their charm. In a genre like big room rave, it’s not always about intricate lyricism, but about creating an anthem that resonates with the audience in a visceral way. This “nananana” chant plays directly into that, providing a simple, fun line for fans to sing along to during a live performance or festival setting.

    The vocal delivery is intentionally light and airy, giving it a youthful and carefree vibe, adding to the high-energy atmosphere that Dark Days aims to create. This sense of lightness contrasts with the deep, powerful bass that drives the song forward, creating a balance that adds to the track’s dynamic and immersive feel.

    Instrumentation: High-Energy and Euphoric

    From the very first beat, Dark Days grabs you with its heavy bassline and club-ready synths. The track builds up quickly, layering energetic drum kicks, snappy snares, and powerful bass stabs that hit hard in the lower frequencies. This is a quintessential feature of big room house, where the focus is on creating a wall of sound that’s designed to fill any massive venue with euphoric energy.

    The use of synths in Dark Days is expertly crafted to evoke a sense of motion and anticipation, gradually building up before each drop. The synths feel crisp and bright, filling out the sonic landscape with layers that contrast the deep bass and driving rhythm section. The buildup of the track, complete with risers and effects, increases the tension, only to release it in a massive drop that invites the listener to lose themselves in the beat.

    The arrangement is straightforward but effective – creating a track that can easily be looped for festival sets or high-energy dancefloors. Despite its simplicity, the instrumentation is crafted with the kind of precision needed to create an explosive and engaging experience, whether you’re at home listening on headphones or in the midst of a crowd at a festival.

    The Mood: Uplifting, Energetic, and Ready for the Festival Stage

    Dark Days exudes a euphoric, feel-good energy that is tailor-made for the high-energy environment of festivals. The driving rhythm and uplifting melodies are infectious, creating an atmosphere of joy and excitement that draws listeners in. The track’s vibe is undeniably celebratory – the type of music that encourages you to throw your hands in the air and embrace the moment.

    There’s a sense of escapism in the track, as it invites listeners to momentarily forget about the struggles or challenges of everyday life. The repetitive vocals and electrifying drops conjure feelings of unity and togetherness, much like the collective experience shared by festival-goers.

    However, while the track delivers on the festival hype and energy, it does leave a bit to be desired in terms of musical variety. The repetition of the “nananana” vocal, combined with the predictable big room drops, might feel somewhat formulaic for listeners seeking something more nuanced or experimental. Still, for what it aims to be – a high-energy rave anthem – it delivers the goods.

    Final Thoughts: A Fun and Explosive Track for the Dancefloor

    Overall, Dark Days is a solid entry into the big room rave scene, offering a fun, energetic, and crowd-pleasing anthem that will no doubt light up any festival stage. The combination of Euro dance vibes and big room house elements ensures that the track has an unmistakable sense of excitement and inclusivity, making it perfect for anyone looking to add a bit of euphoria to their day.

    Though Dark Days may not break new ground in terms of production or innovation, its unapologetic energy and memorable hook make it a track that will be hard to forget. It’s the kind of song you can easily imagine blasting through speakers at a festival, encouraging everyone to jump and sing along.

  • Franco Copraro – “Party Go Up”: A Progressive House Anthem for the Rave Generation

    Franco Copraro – “Party Go Up”: A Progressive House Anthem for the Rave Generation

    Franco Copraro’s latest release, Party Go Up, hits hard in the world of progressive house, offering an electrifying sonic journey that makes it an undeniable contender for the rave scene. This track brings an energetic vibe reminiscent of artists like Anyma, blending driving beats with looped male vocals to create an infectious dancefloor anthem. Copraro’s skillful production elevates Party Go Up into the territory of tracks meant to be experienced live, while the combination of relentless percussion and anthemic melodies delivers a tune destined to keep the energy levels high in any venue.

    Progressive House Meets Rave Energy

    As a genre, progressive house is known for its building layers, intricate rhythms, and euphoric builds that crescendo into powerful drops. The genre thrives on creating tension and release, something that Party Go Up handles with ease. The track’s overall sound is aligned with the rave culture, offering a level of intensity and driving momentum that keeps the listener engaged from start to finish.

    Much like Anyma’s works, Copraro manages to find the perfect balance between deep, hypnotic basslines and upbeat melodies, crafting an atmosphere that allows listeners to lose themselves on the dancefloor. The track is characterized by its dynamic drops and a steady rhythm that pulsates throughout, making it an excellent choice for festival environments. With each looped vocal and escalating beat, the track builds towards an inevitable peak that feels both exciting and satisfying.

    Vocal Delivery: Repetitive, Yet Powerful

    The looping male vocals in Party Go Up serve as a core element, repeating the phrase “Party go up” throughout the track. While this repetitive approach could seem simplistic, it works in favor of the track’s energy. The vocals, though sparse in variety, are packed with enthusiasm and have a commanding presence that complements the driving instrumentation. This approach to vocals in rave music isn’t new, as it mirrors the kind of vocal techniques commonly employed by artists who understand the power of repetition in live settings. The vocal loop, instead of getting tiresome, helps create a sense of unity and anticipation on the dancefloor, bringing listeners together with a collective chant of sorts.

    Instrumentation: A Layered Soundscape

    The production quality of Party Go Up stands out thanks to its use of deep basslines and punchy percussion. Copraro fills the sonic space with layers of sound, from the thumping bass that propels the track forward to the swirling synths that provide melodic richness. The track’s instrumental elements work together seamlessly, with each piece contributing to the overwhelming sense of energy that builds steadily throughout.

    The bass, in particular, is one of the standout features of the track. It has a “dirty” quality to it that makes it feel gritty and raw, perfectly suited for the rave atmosphere. The synths, while not overly complex, provide just enough harmonic support to elevate the track into something that feels both dynamic and immersive. In combination with the unrelenting percussion, the result is a driving, high-energy track that doesn’t let up.

    Mood and Impact: Ready for the Rave

    From the very first beat, Party Go Up creates an infectious mood of anticipation. The way the track builds, adding new layers while maintaining a steady, driving rhythm, makes it the perfect anthem for the high-energy moments in any rave or festival. The repeated vocal chant serves as a call to the audience to join in the fun, while the steadily rising intensity ensures that there is no room for fatigue.

    While the track’s repetitive nature can sometimes feel predictable, it is this very characteristic that makes it an ideal fit for live settings. It is designed to be enjoyed in the moment, in a crowd, surrounded by flashing lights and electrified energy. Party Go Up is not a song meant to be pondered over or analyzed too deeply; it is a track meant to be experienced, felt, and danced to. The mood is unmistakably positive, driving, and relentless, making it impossible to resist getting swept up in the movement.

    Final Thoughts: A Dancefloor Anthem with Room for Growth

    Overall, Party Go Up is a solid entry into the progressive house and rave genres. It embodies the essence of both, with a raw, energetic feel that brings the best of festival culture to life. Copraro’s production is tight and high-energy, though the track’s simplicity and repetitive structure may leave some listeners wanting more depth in terms of melodic variation and vocal complexity.

    Despite its limitations, the track is undeniably fun and engaging, with an infectious energy that guarantees a good time on the dancefloor. While it might not be the most groundbreaking release in the genre, it undoubtedly delivers on the promise of being a crowd-pleaser. For those looking to keep the party going and feel the bass in their bones, Party Go Up will definitely do the trick.

  • DANNIC & REVERO – “DRUMS”: A Big Room Anthem with Energy to Spare

    DANNIC & REVERO – “DRUMS”: A Big Room Anthem with Energy to Spare

    When it comes to high-energy festival anthems, DRUMS by DANNIC and REVERO certainly delivers in spades. As a big room instrumental track designed to electrify massive crowds, DRUMS offers a relentless, pounding rhythm and festival-ready vibes that make it a fitting addition to any DJ’s arsenal. However, despite its undeniable energy, the track ultimately leaves a bit to be desired when it comes to variety and complexity.

    A Big Room Foundation

    DRUMS lands squarely in the big room house genre—a style known for its anthemic, festival-sized sound that builds anticipation and drops with monumental force. This genre is essentially the soundtrack to the world’s largest electronic music festivals, from Ultra to Tomorrowland. With its pounding basslines, soaring leads, and crowd-pleasing build-ups, big room house has long been a favorite of main stage DJs.

    The track opens with an instantly recognizable deep kick drum and a rising percussion build that promises a peak-hour festival experience. The heavy emphasis on rhythm and powerful drops maintains the relentless pace throughout the song, keeping energy high and bodies moving.

    Lead Melody: Repetitive, But Full of Energy

    The lead melody in DRUMS is one of the track’s key elements, and it stands out immediately due to its driving and repetitive nature. While the melody is catchy, it’s also predictable, with little in the way of variation or unique twists to keep it fresh throughout the track’s duration. The repetitive nature of the lead gives the song its festival flavor, making it ideal for a crowd that thrives on knowing exactly when and how the drop will hit. However, this can also be a double-edged sword—while the familiarity helps keep the energy consistent, it also leaves the track feeling somewhat stagnant by the end.

    Instrumentation and Production

    From a production perspective, DRUMS excels in its execution of classic big room elements. The punchy bassline and sharp percussion provide a solid foundation for the track, while the wide, open soundscape creates a sense of vastness that’s perfect for large spaces and festival stages. The snare rolls and snappy drum fills build anticipation, and the breakdowns give the track a bit of breathing room before launching into the next high-energy section.

    What stands out most in terms of production is the overall polish. DANNIC and REVERO clearly know their way around the studio, ensuring that every element of DRUMS cuts through the mix with precision. The track is well-suited for festival sound systems, with the bass hitting hard and the higher frequencies sparkling through the mix.

    The Vibe: Festival-Ready, but Could Use More Substance

    The vibe of DRUMS is undeniably festival-friendly. It has the kind of energy that can lift an entire crowd, especially during the peak moments when the lead melody breaks through and the drop hits with full force. The track carries the uplifting, euphoric atmosphere often associated with big room house, a sound that resonates in massive open-air arenas and neon-lit festival grounds. The repetitive nature of the track ensures that it’s easy for the crowd to engage with and get lost in, but it also means that after a few listens, the lack of development starts to feel a bit one-dimensional.

    This brings us to the main critique: DRUMS doesn’t quite offer the complexity that other festival anthems in this space might. While it certainly has the energy to ignite a crowd, the repetitive nature of the melody and lack of variation leave the track feeling like a missed opportunity to push boundaries or explore new sonic territory.

    Impact on the Listener

    For listeners looking for a simple, high-energy track to accompany their festival experience, DRUMS does the job. The power of the drop, combined with its unmistakable festival atmosphere, makes it a song that thrives in a live setting. Whether it’s the first or tenth time you hear it, the infectious bass and explosive lead will keep you moving.

    However, for those who seek something more intricate or dynamic in their big room anthems, DRUMS might feel a bit too straightforward. It doesn’t quite push the envelope as much as some other big room tracks, which leaves it feeling like a familiar yet safe option.

    Final Rating: 3.5/5

    In conclusion, DRUMS by DANNIC and REVERO is a solid festival anthem with all the necessary ingredients: energy, bass, and a crowd-pleasing lead. However, its repetitive structure and lack of variation prevent it from fully standing out in a crowded genre. It’s a fun track, but one that could have benefitted from a bit more creative risk-taking. For those looking for a dependable big room banger to energize a festival crowd, it’s an excellent choice—but it’s unlikely to become a timeless classic.