EDMNinja

Tag: festival music

  • Franco Copraro – “Party Go Up”: A Progressive House Anthem for the Rave Generation

    Franco Copraro – “Party Go Up”: A Progressive House Anthem for the Rave Generation

    Franco Copraro’s latest release, Party Go Up, hits hard in the world of progressive house, offering an electrifying sonic journey that makes it an undeniable contender for the rave scene. This track brings an energetic vibe reminiscent of artists like Anyma, blending driving beats with looped male vocals to create an infectious dancefloor anthem. Copraro’s skillful production elevates Party Go Up into the territory of tracks meant to be experienced live, while the combination of relentless percussion and anthemic melodies delivers a tune destined to keep the energy levels high in any venue.

    Progressive House Meets Rave Energy

    As a genre, progressive house is known for its building layers, intricate rhythms, and euphoric builds that crescendo into powerful drops. The genre thrives on creating tension and release, something that Party Go Up handles with ease. The track’s overall sound is aligned with the rave culture, offering a level of intensity and driving momentum that keeps the listener engaged from start to finish.

    Much like Anyma’s works, Copraro manages to find the perfect balance between deep, hypnotic basslines and upbeat melodies, crafting an atmosphere that allows listeners to lose themselves on the dancefloor. The track is characterized by its dynamic drops and a steady rhythm that pulsates throughout, making it an excellent choice for festival environments. With each looped vocal and escalating beat, the track builds towards an inevitable peak that feels both exciting and satisfying.

    Vocal Delivery: Repetitive, Yet Powerful

    The looping male vocals in Party Go Up serve as a core element, repeating the phrase “Party go up” throughout the track. While this repetitive approach could seem simplistic, it works in favor of the track’s energy. The vocals, though sparse in variety, are packed with enthusiasm and have a commanding presence that complements the driving instrumentation. This approach to vocals in rave music isn’t new, as it mirrors the kind of vocal techniques commonly employed by artists who understand the power of repetition in live settings. The vocal loop, instead of getting tiresome, helps create a sense of unity and anticipation on the dancefloor, bringing listeners together with a collective chant of sorts.

    Instrumentation: A Layered Soundscape

    The production quality of Party Go Up stands out thanks to its use of deep basslines and punchy percussion. Copraro fills the sonic space with layers of sound, from the thumping bass that propels the track forward to the swirling synths that provide melodic richness. The track’s instrumental elements work together seamlessly, with each piece contributing to the overwhelming sense of energy that builds steadily throughout.

    The bass, in particular, is one of the standout features of the track. It has a “dirty” quality to it that makes it feel gritty and raw, perfectly suited for the rave atmosphere. The synths, while not overly complex, provide just enough harmonic support to elevate the track into something that feels both dynamic and immersive. In combination with the unrelenting percussion, the result is a driving, high-energy track that doesn’t let up.

    Mood and Impact: Ready for the Rave

    From the very first beat, Party Go Up creates an infectious mood of anticipation. The way the track builds, adding new layers while maintaining a steady, driving rhythm, makes it the perfect anthem for the high-energy moments in any rave or festival. The repeated vocal chant serves as a call to the audience to join in the fun, while the steadily rising intensity ensures that there is no room for fatigue.

    While the track’s repetitive nature can sometimes feel predictable, it is this very characteristic that makes it an ideal fit for live settings. It is designed to be enjoyed in the moment, in a crowd, surrounded by flashing lights and electrified energy. Party Go Up is not a song meant to be pondered over or analyzed too deeply; it is a track meant to be experienced, felt, and danced to. The mood is unmistakably positive, driving, and relentless, making it impossible to resist getting swept up in the movement.

    Final Thoughts: A Dancefloor Anthem with Room for Growth

    Overall, Party Go Up is a solid entry into the progressive house and rave genres. It embodies the essence of both, with a raw, energetic feel that brings the best of festival culture to life. Copraro’s production is tight and high-energy, though the track’s simplicity and repetitive structure may leave some listeners wanting more depth in terms of melodic variation and vocal complexity.

    Despite its limitations, the track is undeniably fun and engaging, with an infectious energy that guarantees a good time on the dancefloor. While it might not be the most groundbreaking release in the genre, it undoubtedly delivers on the promise of being a crowd-pleaser. For those looking to keep the party going and feel the bass in their bones, Party Go Up will definitely do the trick.

  • DANNIC & REVERO – “DRUMS”: A Big Room Anthem with Energy to Spare

    DANNIC & REVERO – “DRUMS”: A Big Room Anthem with Energy to Spare

    When it comes to high-energy festival anthems, DRUMS by DANNIC and REVERO certainly delivers in spades. As a big room instrumental track designed to electrify massive crowds, DRUMS offers a relentless, pounding rhythm and festival-ready vibes that make it a fitting addition to any DJ’s arsenal. However, despite its undeniable energy, the track ultimately leaves a bit to be desired when it comes to variety and complexity.

    A Big Room Foundation

    DRUMS lands squarely in the big room house genre—a style known for its anthemic, festival-sized sound that builds anticipation and drops with monumental force. This genre is essentially the soundtrack to the world’s largest electronic music festivals, from Ultra to Tomorrowland. With its pounding basslines, soaring leads, and crowd-pleasing build-ups, big room house has long been a favorite of main stage DJs.

    The track opens with an instantly recognizable deep kick drum and a rising percussion build that promises a peak-hour festival experience. The heavy emphasis on rhythm and powerful drops maintains the relentless pace throughout the song, keeping energy high and bodies moving.

    Lead Melody: Repetitive, But Full of Energy

    The lead melody in DRUMS is one of the track’s key elements, and it stands out immediately due to its driving and repetitive nature. While the melody is catchy, it’s also predictable, with little in the way of variation or unique twists to keep it fresh throughout the track’s duration. The repetitive nature of the lead gives the song its festival flavor, making it ideal for a crowd that thrives on knowing exactly when and how the drop will hit. However, this can also be a double-edged sword—while the familiarity helps keep the energy consistent, it also leaves the track feeling somewhat stagnant by the end.

    Instrumentation and Production

    From a production perspective, DRUMS excels in its execution of classic big room elements. The punchy bassline and sharp percussion provide a solid foundation for the track, while the wide, open soundscape creates a sense of vastness that’s perfect for large spaces and festival stages. The snare rolls and snappy drum fills build anticipation, and the breakdowns give the track a bit of breathing room before launching into the next high-energy section.

    What stands out most in terms of production is the overall polish. DANNIC and REVERO clearly know their way around the studio, ensuring that every element of DRUMS cuts through the mix with precision. The track is well-suited for festival sound systems, with the bass hitting hard and the higher frequencies sparkling through the mix.

    The Vibe: Festival-Ready, but Could Use More Substance

    The vibe of DRUMS is undeniably festival-friendly. It has the kind of energy that can lift an entire crowd, especially during the peak moments when the lead melody breaks through and the drop hits with full force. The track carries the uplifting, euphoric atmosphere often associated with big room house, a sound that resonates in massive open-air arenas and neon-lit festival grounds. The repetitive nature of the track ensures that it’s easy for the crowd to engage with and get lost in, but it also means that after a few listens, the lack of development starts to feel a bit one-dimensional.

    This brings us to the main critique: DRUMS doesn’t quite offer the complexity that other festival anthems in this space might. While it certainly has the energy to ignite a crowd, the repetitive nature of the melody and lack of variation leave the track feeling like a missed opportunity to push boundaries or explore new sonic territory.

    Impact on the Listener

    For listeners looking for a simple, high-energy track to accompany their festival experience, DRUMS does the job. The power of the drop, combined with its unmistakable festival atmosphere, makes it a song that thrives in a live setting. Whether it’s the first or tenth time you hear it, the infectious bass and explosive lead will keep you moving.

    However, for those who seek something more intricate or dynamic in their big room anthems, DRUMS might feel a bit too straightforward. It doesn’t quite push the envelope as much as some other big room tracks, which leaves it feeling like a familiar yet safe option.

    Final Rating: 3.5/5

    In conclusion, DRUMS by DANNIC and REVERO is a solid festival anthem with all the necessary ingredients: energy, bass, and a crowd-pleasing lead. However, its repetitive structure and lack of variation prevent it from fully standing out in a crowded genre. It’s a fun track, but one that could have benefitted from a bit more creative risk-taking. For those looking for a dependable big room banger to energize a festival crowd, it’s an excellent choice—but it’s unlikely to become a timeless classic.

  • UnderLux x Future Joy Release New Track ‘Just Breathe’

    UnderLux x Future Joy Release New Track ‘Just Breathe’

    Two of the most innovative forces in the dance music world have teamed up for a groundbreaking new single. Just Breathe sees electronic duo Future Joy collaborate with producer UnderLux for a track that blends vibrant tech house rhythms with organic, soulful elements. This new release is more than just a song—it’s an experience that captures the essence of freedom and the power of letting go.

    A Fusion of Sound and Spirit

    The partnership between Future Joy and UnderLux brings together their unique sounds and musical backgrounds, creating something entirely fresh. UnderLux, known for their driving tech house beats, provides the backbone of the track, setting the stage for what evolves into a dynamic mix of deep grooves and uplifting melodies. Future Joy, made up of saxophonist Zach Simms and vocalist Emily Cooper, inject their signature style with soaring vocals and multi-saxophone arrangements, offering a rich contrast to the electronic foundation.

    The track’s lyrics—capturing the calming essence of breathing and finding clarity—perfectly complement the track’s expansive atmosphere. It’s a celebration of letting go, a theme that resonates deeply in today’s world. The pairing of Cooper’s expressive vocals and Simms’ jazz-inspired saxophone work adds an organic depth to the track, making Just Breathe more than just another house anthem.

    A Groundbreaking Music Video Shoot

    To truly bring the track’s theme to life, Future Joy and UnderLux went above and beyond with the visuals for Just Breathe. The duo headlined TSK Festival at Skydive The Ranch, where they took their saxophones to new heights—literally. In an unforgettable music video shoot, they performed at 12,000 feet above the ground, showcasing their commitment to pushing boundaries both in their music and in their visual storytelling.

    The video’s stunning imagery, paired with the track’s powerful message, captures the freedom and thrill of living fully in the moment. The concept of “breathing” is more than a lyrical motif—it becomes an expression of release and liberation, mirrored by the breathtaking visuals of their sky-high performance.

    Future Joy: A Journey Across Genres and Geographies

    Future Joy’s journey into dance music has been as unconventional as their sound. Initially formed in 2018 by Simms, the duo found its final form when Cooper joined in 2019. The duo’s unique setup—an RV stage—allowed them to perform at festivals across the country, from Denver’s vibrant electronic scene to the coastal energy of St. Petersburg. This free-spirited approach to live performance has cemented Future Joy’s place in the hearts of fans, particularly for their boundary-blurring sound that touches everything from house and dubstep to jazz.

    They’ve played alongside artists like The Polish Ambassador and BoomBox, and their ability to seamlessly integrate multiple genres has made them a favorite on the festival circuit. Their appearances at notable festivals like Hulaween and Elements Festival have helped them build a loyal following across the country.

    The Future Looks Bright

    With Just Breathe, Future Joy and UnderLux continue to prove that music can be a deeply personal and transformative experience. Whether it’s through their inventive live performances or their boundary-pushing recordings, both artists are constantly evolving, blending genres, and telling stories that resonate with listeners.

    For fans of genre-defying music that challenges conventions, Just Breathe is a must-listen. It’s a perfect representation of what’s possible when two creative forces come together to make something truly unique. As Future Joy and UnderLux continue to break new ground, it’s clear that their collaboration is just the beginning of what’s sure to be an exciting future in the world of electronic music.